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Showing posts with label <b>Willie Perdomo</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<div class='status-msg-hidden'>Showing posts with label <b>Willie Perdomo</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a></div>
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<h2 class='date-header'><span>Friday, October 18, 2002</span></h2>

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<meta content='83162881' itemprop='postId'/>
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<div class='post-body entry-content' id='post-body-83162881' itemprop='description articleBody'>
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<i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: Arial;"><a href="http://www.rattapallax.com/fusion.htm">Short Fuse</a></span></i><span style="color: black; font-family: Arial;"> is an extraordinarily ambitious project.
In addition to the 400 page book released this week by Rattapallax Press is a
CD and a supplementary e-book that one can download with a password found in
the hard copy. Edited by a Philip Norton, a performance poet now in Australia
who was matriculating at DePaul University when Marc Smith's Green Mill poetry
slam events in Chicago<span style="mso-spacerun: yes;">&nbsp; </span>kicked off the
slam scene in 1987, and </span><st1:personname><span style="color: black; font-family: Arial;">Todd Swift</span></st1:personname><span style="color: black; font-family: Arial;">, a Canadian poet with intermedia impulses now in Paris who makes
a living as a television screenwriter, the 175 poets gathered into <i style="mso-bidi-font-style: normal;">Short Fuse</i> represent an attempt on the
part of its editors to jump start what they characterize as Fusion Poetry.<o:p></o:p></span></div>
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<div class="MsoNormal" style="mso-layout-grid-align: none; tab-stops: 0in; text-autospace: none;">
<span style="color: black; font-family: Arial;">What is Fusion Poetry? Given
that at least 130 of the 175 poets in <i style="mso-bidi-font-style: normal;">Short
Fuse</i> come out of the spoken word / slam / performance poetry communities of
different English speaking countries, plus a smattering of poets from diverse
traditions -- Simon Armitage and Glyn Maxwell represent the most conservative
tendencies of British neoformalism, Charles Bernstein &amp; myself represent a<span style="mso-spacerun: yes;">&nbsp; </span>performative side of langpo, and even Billy
Collins is on the CD to incorporate that side of the plain-speaking McPoem
tradition that can be enjoyed as<span style="mso-spacerun: yes;">&nbsp;
</span>stand-up comedy<span style="mso-spacerun: yes;">&nbsp; </span>-- it would seem
to be an attempt to place oral poetries into a broader &amp; perhaps more
legitimated context. At its most grandiose, <i style="mso-bidi-font-style: normal;">Short
Fuse</i> may be an attempt to overcome the various skirmishes in the poetry
wars by proposing performativity<span style="mso-spacerun: yes;">&nbsp; </span>as the
glue that would bring all these other aesthetics together into one world-wide
happy family. The book even promises to donate "a portion of the
proceeds" to UNICEF.<o:p></o:p></span></div>
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<div class="MsoNormal" style="mso-layout-grid-align: none; tab-stops: 0in; text-autospace: none;">
<span style="color: black; font-family: Arial;">Time will tell how far the
editors can take that agenda, but it certainly doesn't want for lack of scale.
What it may do, however, and this would be unfortunate, is to obscure just what
a wonderfully global collection of performance poetry the editors have put
together. </span><st1:country-region><st1:place><span style="color: black; font-family: Arial;">Canada</span></st1:place></st1:country-region><span style="color: black; font-family: Arial;">, the </span><st1:country-region><st1:place><span style="color: black; font-family: Arial;">U.S.</span></st1:place></st1:country-region><span style="color: black; font-family: Arial;">, the </span><st1:place><span style="color: black; font-family: Arial;">British Isles</span></st1:place><span style="color: black; font-family: Arial;">, </span><st1:country-region><st1:place><span style="color: black; font-family: Arial;">Australia</span></st1:place></st1:country-region><span style="color: black; font-family: Arial;">, and the Anglophone scenes of several
other countries are all represented. From the </span><st1:country-region><st1:place><span style="color: black; font-family: Arial;">U.S.</span></st1:place></st1:country-region><span style="color: black; font-family: Arial;">, you have a good representation of the
slam scene: Patricia Smith, Bob Holman, Edwin Torres &amp; some of the more
stellar poets who came out of the Nuyorican Poetry Cafe scene, such as Willie <span class="SpellE">Perdomo</span> and Guillermo Castro. While there certainly are
some glaring omissions, especially among the older, more established
performance poets (</span><st1:personname><span style="color: black; font-family: Arial;">Steve McCaffery</span></st1:personname><span style="color: black; font-family: Arial;"> &amp; his fellow Four Horsemen, Hazel Smith, the late Bob <span class="SpellE">Cobbing</span>, anything with a taste of Fluxus*), <i style="mso-bidi-font-style: normal;">Short Fuse</i> can be read as an Olympian
panorama of performance poetics, one that stands up on these terms quite well,
with a curious sprinkling of "performance-like" poetries out of other
more page-based traditions.<o:p></o:p></span></div>
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<span style="font-family: Arial; font-size: 10.0pt;">* There are
moments when, reading <i style="mso-bidi-font-style: normal;">Short Fuse</i> and
listening to its editors, one has the eerie sense that this what it might be
like to want to be Jerome Rothenberg if one had never heard of Jerome
Rothenberg.<span style="mso-spacerun: yes;">&nbsp; </span><o:p></o:p></span></div>
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at
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<a class='timestamp-link' href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2002/10/short-fuse-is-extraordinarily.html' rel='bookmark' title='permanent link'><abbr class='published' itemprop='datePublished' title='2002-10-18T06:55:00-04:00'>Friday, October 18, 2002</abbr></a>
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Labels:
<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Bob%2520Cobbing' rel='tag'>Bob Cobbing</a>,
<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Bob%2520Holman' rel='tag'>Bob Holman</a>,
<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Edwin%2520Torres' rel='tag'>Edwin Torres</a>,
<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Fusion%2520Poetry' rel='tag'>Fusion Poetry</a>,
<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Glyn%2520Maxwell' rel='tag'>Glyn Maxwell</a>,
<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Guillermo%2520Filice%2520Castro' rel='tag'>Guillermo Filice Castro</a>,
<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Hazel%2520Smith' rel='tag'>Hazel Smith</a>,
<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Jerome%2520Rothenberg' rel='tag'>Jerome Rothenberg</a>,
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<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Patricia%2520Smith' rel='tag'>Patricia Smith</a>,
<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Simon%2520Armitage' rel='tag'>Simon Armitage</a>,
<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Steve%2520McCaffery' rel='tag'>Steve McCaffery</a>,
<a href='https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/search/label/Willie%2520Perdomo' rel='tag'>Willie Perdomo</a>
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<b>October</b><br /><br />Madrid<br />with Charles Bernstein & Susan Bee<br /><br />Barcelona<br /><div><br /><br />Saragossa?<br /><br /><b>November</b><br /><br />Rome?<div><br /></div><div><br /></div></div>
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<a href="http://www.ucpress.edu/books/pages/10742.php">I: The Age of Huts<br /><br /></a>             <a href="http://www.ucpress.edu/books/pages/10742.php"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/u_VsYLU9NS_tJXOrl6A4RM1Dne7QkuSslpBc0StgKSXXoIDStYoXqSwDo2tuxST00QD3ynVJH4yjAhcEzTWyM0F_RriCRx9yZdyygceY2wm-%3Ds0-d" /></a><br /><br /><br />II: Tjanting<br /><br /><a href="https://www.saltpublishing.com/products/tjanting-9781876857196"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/efy1lIcVIKeKSdy_WUDIxV8WLN0OJmA3f7enQ2XDwxwt7Bh5ssfQQAkW_o4oG6FqrB1RGf7CX-Rw-VQ4u36RIuwSsCMxWjjHFDP4c7CbW2d_%3Ds0-d" /></a><br /><br /><br /><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx">III: The Alphabet<br /><br /></a><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx"><img id="ctl00_MainContent_ProductInfo1_ctl00_PrimaryImage_PrimaryImage" onclick="javascript:window.open(&#39;http://www.uapress.ua.edu//images/temp/212-1897-Product_LargeToMediumImage.jpeg&#39;, 1, &#39;resizable=1, width=500, height=700&#39;)" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/OnaMjXm2h6XxneM04RgHx1Bkf2Wi9UE3a8c3o0NDvW5wXo7BK3MaM5VP9YfbEIpHYxAstTorwhNW4lhhkNuua5bDX7Ogr2UgZ1NMDDjeh-0bNnuo-WH-9pGHIR6lv-4-_UDHVNe36xB6%3Ds0-d" style="border: 1px solid Gray;" /></a><br /><div><br /></div><div>IV. from Universe</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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